No.3395
One day, there was a red KINOKABAN in the atelier, fully dyed and coated.
A few days after it was thought to be finished, the artist’s family peeked into the atelier and—
to their surprise—found it covered in countless “monyo-monyo” patterns!
The sharply finished body stands in stark contrast to the gentle, freehand lines.
Furthermore, the carvings on the red body deliberately use a complementary color.
Breaking free from preconceived notions and letting his hands move as his heart desired,
it became one of those rare pieces brimming with vitality.
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